![]() ![]() Like it or not, iLok has been a standard in DRM for the audio engineering community for as long as I can literally remember and while it weathered its fair share of detractors, its come a long way in giving users the flexibility to control their licenses in this always connected landscape. I don't personally understand the iLok confusion this day in age when nearly everything you do is tied to an account (and if you're smart, your account is tied to 2FA, which even if that's via your phone, that's a 'dongle' you're managing). Yes, you can grab your license now, and deal with the iLok business later, if that's your plan.Īnyway back to Fresh Air.Sorry, I meant to quote you for emphasis, not to argue with your statement - its as simple as you previously stated. I guess some people are still learning the ropes of iLok. I'm not sure if that contradicts what I said in any way, I was just trying to help someone that didn't seem to "get it" but that's some good extra info. Of course you can work around this by automating each parameter separately, but it doubles the workflow which adds up if you do a lot automation. If you update this, I would request that you add an "amount" parameter to automate. So there is no easy way simply to automate the overall amount in the the way that using the link function permits when using the GUI. I note that even if the link is engaged, when you automate (in Logic) either the hi or mid settings, it does not affect the other. On pop vocals you can really slam Fresh Air and get far more air without harshness than you can get with EQ alone so it’s a no brainer there. ![]() Fresh Air at about 4% does it better because you also get the HF compression and touch of saturation.īut as always, this is all personal taste. I used to do 1db of high shelf with my Sontec 432. ![]()
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